How it started
(SD® — 01)
©2025
From Crayons to Clicks
As a kid, I painted more than I talked. I’d mix colors no one asked for, fill pages with messy skies and sunflowers that looked like spirals. But it wasn’t about perfection — it was about feeling colors, making sense of things with strokes and splashes. That childhood love for color stuck with me.
I didn’t grow up with a camera. Or even a decent phone. I’d see something beautiful — light falling just right, a stranger’s smile, a ripple in a puddle — and could do nothing but stare. So I waited.
And when I finally got a camera, even if it was just a mobile phone, it felt like unlocking a superpower. I could finally freeze those colors, those moments. I wasn’t just looking anymore. I was collecting.
And once I started, I never really stopped.



A Lens That Taught Me to See
Photography changed how I look at the world,
and how I design.
The play of shadows, the rhythm in repetition, the negative spaces…
it sharpened my designer eye more than any textbook did. It taught me that aesthetics aren’t always loud — sometimes, they whisper. It made me appreciate moods, moments, and movement — lessons I carry straight into wireframes and interfaces.
Why It Still Matters
With every click, I preserve a perspective. I collect chaos, beauty, symmetry, and the occasional perfectly timed dog yawn.
This page is not just a portfolio. It’s a visual journal — proof that moments, when seen closely, are full of design.
And in some poetic way, photography helps me design better, live better, and notice the in-betweens.


Nature Photos
(SD® — 02)
©2025
Nature Photos
(SD® — 02)
©2025
Mother Nature’s Moodboard.

2024
Alibaug

2024
Alibaug

2025
Kodaikanal

2025
Kodaikanal

2024
Konkan

2024
Konkan

2024
Dhanaulti

2024
Dhanaulti

2024
Konkan

2024
Konkan
Architectural Photos
(SD® — 03)
©2025
Architectural Photos
(SD® — 03)
©2025
Angles, Arches & Accidental Symmetry.

2024
Qutub Complex

2024
Qutub Complex

2023
Mumbai

2023
Mumbai

2024
Old Delhi

2024
Old Delhi

2024
Princep Ghat

2024
Princep Ghat

2024
Iltutmish Tomb

2024
Iltutmish Tomb
Portrait Photos
(SD® — 04)
©2025
Portrait Photos
(SD® — 04)
©2025
Humans, Homies & Hints of Chaos.

2024
Vasai

2024
Vasai

2025
Dhanaulti

2025
Dhanaulti

2024
Delhi

2024
Delhi

2024
Sainji, UK

2024
Sainji, UK

2024
Mumbai

2024
Mumbai
To Click or To Live It — That’s the Question
Yes, I’ve debated it too.
Do I live the moment, or do I capture it?
The truth? Clicking is how I live it. The frame is my focus.
Some moments deserve to just exist. Others deserve to be remembered. And sometimes, the act of capturing makes me slow down and really observe what I would’ve otherwise missed. Photography isn’t a distraction — it’s my way of being more present.

Srijan Das
What's Next for this site?
Curious about what’s next? I’ve outlined some upcoming enhancements to make this space even better, more intuitive, and future-ready.
How it started
©2025
From Crayons to Clicks
As a kid, I painted more than I talked. I’d mix colors no one asked for, fill pages with messy skies and sunflowers that looked like spirals. But it wasn’t about perfection — it was about feeling colors, making sense of things with strokes and splashes. That childhood love for color stuck with me.
I didn’t grow up with a camera. Or even a decent phone. I’d see something beautiful — light falling just right, a stranger’s smile, a ripple in a puddle — and could do nothing but stare. So I waited.
And when I finally got a camera, even if it was just a mobile phone, it felt like unlocking a superpower. I could finally freeze those colors, those moments. I wasn’t just looking anymore. I was collecting.
And once I started, I never really stopped.


A Lens That Taught Me to See
Photography changed how I look at the world,
and how I design.
The play of shadows, the rhythm in repetition, the negative spaces…
it sharpened my designer eye more than any textbook did. It taught me that aesthetics aren’t always loud — sometimes, they whisper. It made me appreciate moods, moments, and movement — lessons I carry straight into wireframes and interfaces.
Why It Still Matters
With every click, I preserve a perspective. I collect chaos, beauty, symmetry, and the occasional perfectly timed dog yawn.
This page is not just a portfolio. It’s a visual journal — proof that moments, when seen closely, are full of design.
And in some poetic way, photography helps me design better, live better, and notice the in-betweens.

Nature Photos
©2025
Mother Nature’s Moodboard.





Architectural Photos
©2025
Angles, Arches & Accidental Symmetry.





Portrait Photos
©2025
Humans, Homies & Hints of Chaos.





To Click or To Live It — That’s the Question
Yes, I’ve debated it too.
Do I live the moment, or do I capture it?
The truth? Clicking is how I live it. The frame is my focus.
Some moments deserve to just exist. Others deserve to be remembered. And sometimes, the act of capturing makes me slow down and really observe what I would’ve otherwise missed. Photography isn’t a distraction — it’s my way of being more present.

Srijan Das
What's Next for this site?
Curious about what’s next? I’ve outlined some upcoming enhancements to make this space even better, more intuitive, and future-ready.
How it started
(SD® — 01)
©2025
From Crayons to Clicks
As a kid, I painted more than I talked. I’d mix colors no one asked for, fill pages with messy skies and sunflowers that looked like spirals. But it wasn’t about perfection — it was about feeling colors, making sense of things with strokes and splashes. That childhood love for color stuck with me.
I didn’t grow up with a camera. Or even a decent phone. I’d see something beautiful — light falling just right, a stranger’s smile, a ripple in a puddle — and could do nothing but stare. So I waited.
And when I finally got a camera, even if it was just a mobile phone, it felt like unlocking a superpower. I could finally freeze those colors, those moments. I wasn’t just looking anymore. I was collecting.
And once I started, I never really stopped.


A Lens That Taught Me to See
Photography changed how I look at the world,
and how I design.
The play of shadows, the rhythm in repetition, the negative spaces…
it sharpened my designer eye more than any textbook did. It taught me that aesthetics aren’t always loud — sometimes, they whisper. It made me appreciate moods, moments, and movement — lessons I carry straight into wireframes and interfaces.
Why It Still Matters
With every click, I preserve a perspective. I collect chaos, beauty, symmetry, and the occasional perfectly timed dog yawn.
This page is not just a portfolio. It’s a visual journal — proof that moments, when seen closely, are full of design.
And in some poetic way, photography helps me design better, live better, and notice the in-betweens.

Nature Photos
(SD® — 02)
©2025
Mother Nature’s Moodboard.

2024
Alibaug

2025
Kodaikanal

2024
Konkan

2024
Dhanaulti

2024
Konkan
Architectural Photos
(SD® — 03)
©2025
Angles, Arches & Accidental Symmetry.

2024
Qutub Complex

2023
Mumbai

2024
Old Delhi

2024
Princep Ghat

2024
Iltutmish Tomb
Portrait Photos
(SD® — 04)
©2025
Humans, Homies & Hints of Chaos.

2024
Vasai

2025
Dhanaulti

2024
Delhi

2024
Sainji, UK

2024
Mumbai
To Click or To Live It — That’s the Question
Yes, I’ve debated it too.
Do I live the moment, or do I capture it?
The truth? Clicking is how I live it. The frame is my focus.
Some moments deserve to just exist. Others deserve to be remembered. And sometimes, the act of capturing makes me slow down and really observe what I would’ve otherwise missed. Photography isn’t a distraction — it’s my way of being more present.

Srijan Das
What's Next for this site?
Curious about what’s next? I’ve outlined some upcoming enhancements to make this space even better, more intuitive, and future-ready.